Isabel Englebert is a multidisciplinary post-conceptual artist and researcher whose practice unfolds at the intersection of art, science, technology, and philosophy. She studied Economics, and graduated in Communication Sciences at Universidad del Salvador (2002). She was trained in design at Central Saint Martins, London, and jewelry at L'Ecole Van Cleef & Arpels, Paris. She participated in numerous courses in different fields, such as Medical Neurosciences at Duke University (2020). After a decade-long international career in strategic communications, in 2012 she founded Isabel Englebert Studio, from which she develops interdisciplinary projects. 

In 2023, Englebert completed a postgraduate course in Contemporary Art Technologies at the Facultad de Filosofía y Letras of the Universidad de Buenos Aires. In 2024, she was chosen to take part in the Glogauair Berlin residence. In 2025, she completed a Degree in “AI in multimedia Arts”, in the UNA, National Arts University. On September 2025, her project “J.Doe, an abstract identity” was selected to participate in Sorbonne's University program “From Dry conceptualism to Wet conceptualism, in Cognitive Capitalism” in Paris. She is currently a PhD candidate in Arts and Techno-aesthetics at UNTREF. Her research “Nüshu and the Quiet Transmission of Memory”, was published in Tate Papers, the scholarly journal of Tate Modern, London. 

In March 2026, Englebert presented a solo exhibition of her series "Solutio" with Galería Fulana at Capital Feria in Córdoba, Argentina. Also in March, she exhibited at Ch.ACO Art Fair in Chile with Galería Aarchi. Earlier this year, in February, her work "Posthuman Dialectics" was selected for the exhibition Alchemic Flow, of Rome Experimental. In addition, her video work "Presence of the Absence" was selected for the Radical Dreamers pavilion in the 7th edition of The Wrong Biennale, which runs from November 2025 to March 2026. This work was also selected as a finalist for the Créateurs Design Awards 2026 in the category Excellence in Digital Art, alongside artists such as Marina Abramović and Rafael Lozano-Hemmer.

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In September 2025, her video work "Threads of Identity", was selected for the Third  Argentine Textile Video Art Salon. The work was later presented at Elements Contemporary Gallery, London. Another piece from the same series was also chosen for the exhibition La Sublime Obsessione at Centro Expositivo San Vidal, Venice, from July to October.

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Also in September, Englebert held a solo exhibition at Art Space Eight, Buenos Aires. In August, she presented the interactive installation “Who is J.Doe?” at Central Affair #3 in Galerías Larreta, Buenos Aires. Earlier that year, between March and June, she participated in the exhibition Echoes of the Invisible, presenting new works from her series Presence of the Absence at Lorena del Pilar Art Gallery, also located within Galerías Larreta in Buenos Aires.

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In November 2024, her work "Amateur Gods" was selected for the National Salon "Cosecharás tu ciencia" at the Museum of Fine Arts - Palacio Ferreyra in Córdoba, Argentina. Her series "Amateur Gods" was also part of the Alter Ego Exhibition held from June 12 to June 22, 2024, at the Blanc Art Space, New York, where she received an honorable mention. Additionally, her work "It took me 4 months, 9 days, and 23 hours to complete 2 kilometers with a pen" was a finalist at the 18th Edition of the Arte Laguna Prize and exhibited at the Arsenale Nord in Venice. In October 2024, Englebert participated in the "Autonomy: Defiance In The Age Of Control" exhibition, at Meta Betties gallery, at the Oculus, World Trade Center, NY, with her piece "Posthuman Dialectics". In September 2024, she took part in the exhibition "La advocación de los metales" at the Olivares Group gallery in Buenos Aires. Her series "Amateur Gods" was selected to be presented as a "Special Project" in Pinta Miami in December 2023. The limited edition multiple of this series was specially developed and exhibited in The Bass Museum in Miami. In 2023, she was also invited to present her series "J. Doe, an Abstract Identity" at the "Biohack the Planet" Conference in Austin, Texas. 

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Since 2022, Isabel Englebert collaborates with MIT, with PhD Hope Kean from the EvLab Language Lab. She exchanges experiences and knowledge, and conducting field tests related to language and neuroscience, developing a series called “Brain Conversations”. “Presence of the Absence,” the video component of this collaboration, was showcased at Times Square during the Armory Show in 2024.

At Miami Art Week 2022, the artist led a project together with Pinta Miami and Ella Fontanals Cisneros that brought the first traditional art fair and the first major collector to the Metaverse. She also participated as an artist and moderated a panel entitled "Traditional art and the new virtual environment", alongside speakers such as the director of Pinta Miami, the leadership of CIFO and the director of Decentraland. In 2021, sponsored by the European Cultural Center, MCAD and FIU, Englebert participated in Miami Art Week, exhibiting a large format sculpture and an NFT in the IlluMia Festival, which was screened in Downtown Miami’s public space. She has been named Decentraland’s Museum District Ambassador (2021), an entitlement that has enabled her to work with virtuality and NFTs in depth.

Her NFT “Wannabe Porvenir” is currently exhibited at the Museum District, constituting part of the Museum’s collection. Her work "If with your hands..." has been selected as a finalist for the Visual Arts Itaú Prize (2021). She exhibited at Diderot Art Gallery, Buenos Aires (2020), and at Praxis Gallery, Buenos Aires (2019). Her sculptural series have been exhibited at the Design & Art Center at the Patagonia Foundation, Buenos Aires (2019), where her piece “Mies” is part of the Foundation’s permanent exhibition, and at Casa FOA, Buenos Aires (2018). Her work has been portrayed in numerous magazines, as well as her research and thoughts, which have been published in the art magazine “Arte al Día”. She has been selected by Forbes as one of the “35 under 35”.